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Trilogie du Destin is a story about change. The moment you feel it calling, the fear of stepping into it, and the beauty that follows when you finally do.
Mortel Déjà-Vu is the awakening, when you realize something has to change and that you can’t keep living on repeat. Coup de Théâtre is the breaking point, that terrifying moment when you actually make the change and everything feels uncertain. Je m’appelle Paul is the rebirth, a celebration of finding yourself again and stepping proudly into a new beginning.
It’s a personal evolution told through three songs. Raw, emotional, and alive.
Mortel Déjà-Vu is the moment of awakening. That quiet but unbearable realization that life has fallen into a loop. Every day feels the same, and even your dreams start to taste like routine. It’s not about sadness for its own sake, but about the heavy awareness that something inside you is fading while you pretend everything’s fine.
The song captures that numb space between existing and truly living. It’s the voice of someone staring at their reflection and finally admitting, “I can’t keep doing this.” Beneath the monotony, there’s a pulse. The first spark of rebellion against a life that feels too small.
At its core, Mortel Déjà-Vu is the first crack in the surface, the beginning of change. It’s haunting, reflective, and strangely beautiful. A sigh before the storm.
Coup de Théâtre is about the chaos of transformation. The desperate effort to become someone you’re not yet, and the painful truth that change demands sacrifice. It’s the sound of ambition colliding with identity, of trying to step into a new version of yourself while still being haunted by the old one.
The song lives in that uneasy space between who you are and who you want to be. You push harder, perform louder, chase perfection, and wear every mask you can find, hoping one of them will finally feel real. But the more you try to control the story, the more the cracks start to show. The applause begins to sound hollow, and the spotlight starts to burn.
At its core, Coup de Théâtre is the moment when you realize that to truly transform, something within you has to break. It’s dramatic, unsettling, and honest. The inner collapse that happens before you can ever begin again.
Je m’appelle Paul is the moment of emergence, the point where all the struggle and tension of the previous acts coalesce into confidence and self-possession. It’s bold, vibrant, and unapologetic — a declaration that you are no longer defined by your past, but by who you choose to be.
The song is energetic and celebratory, full of movement, light, and life. It captures the joy of stepping into your true self, of embracing your power, your voice, and your presence. Every note feels like a victory, every lyric a statement of identity reclaimed.
At its heart, Je m’appelle Paul is about claiming your space, owning your story, and shining without apology. It’s the sound of freedom, courage, and renewal, a triumphant anthem for anyone who has fought to become themselves.